It's Never Summer

Long Notes

Robert Mapplethorpe’s “Kitchen Sink"

The Bechers are Hilarious

Candida Höfer, On Kawara, Date Paintings

Carl Van Vechten's backgrounds in Kodachrome

A few decisive moment paintings

MFA Books & Interview Music

Atget, Kertész and Google photograph one street in Paris

On Winogrand:
- Free Garry Winogrand
- Mark Steinmetz and the Winogrand influence
- The Garry Winogrand rumor

Rauschenberg's contact sheet of Cy Twombly in Rome

A collection of Japanese Ama diver postcards

Nick DeWolf's end of roll

Mary Ellen Mark's "Prom" and the ethics of portraits

Alfred Eisenstaedt's most famous photo has a new context

How to Photograph the Entire World: The Google Street View Era

Michael Jang, "the Jangs"

Richard Prince's Canal Zone

Internet memes, Giovanni Anselmo and 70's conceptual art

Survey Photography: Mars Curiosity & Timothy O’Sullivan

Mars Curiosity & 19th Century empty space photography

Werner Herzog's "Cave of Forgotten Dreams" and Photography

Comparing Avedon and Cindy Sherman murals

A wishlist for museum photography exhibit websites

Sources for photographing India

Early color: Ernst Haas in Life magazine

The "Here" exhibit at Pier 24

The Fisher Collection at Pier 24 in San Francisco

On Rosalind Solomon's mastery of the flash

The greatest American panorama by James Calvin Patton

How to Destroy a Photograph; attacking an Andres Serrano

Cy Twombly: Photographs 1951-2007

Eizo Ota's snapshots transformed into one of the great photo books

On family portraits across time

1970's color and Mark Cohen's Wilkes-Barre, PA

Richard Avedon: Three Singers (Janis Joplin, Cat Power, Whitney Houston)

A review of "Street Photography Now"

Eleanor Callahan

The day Apple buys Kodak

See all notes, long and short


Short Notes

Carleton Watkins escapes the 1906 earthquake

Photography episodes of the MAN Podcast

Danny Lyon in Lower Manhattan

When I see colorized historic photographs

Fenton's Crimean War photographs

the 1970s were not red

Gabriele Basilico, 1944-2013

Tumblr has no backup

Is this a Walker Evans photograph?

A group portrait by Hugh Mangum

Why and How - Attribution of photographs on Tumblr

a WWI photo from my collection

Every couple in Robert Frank's Americans

Goodbye Kodachrome, Hello Kodachrome

Masao Yamamoto & Lee Friedlander at 49 Geary

Putting Ansel Adams in a new context

On Raymond Meeks' Pretty Girls Wander

Marcelo Montecino's Chile

Pete Brook's Prison Photography project

The self-portraits of Ezra Caldwell

Receiving photographs in the mail

Looking at photography books

Walker Evans' Polaroids

Which version? Louis Faurer, Family, Times Square

Claxton's Coltrane at the Guggenheim

A Few Short Interviews

Demian Bulwa on Oscar Grant's photograph of Johannes Mehserle

Jason Roberts Dobrin on his book "Mountains"

Hans Mauli on Paris in the 1960's

Dave Glass on "Veterans Day"

Barbara Crane on "People of the North Portal"


About

I'm Wayne, my own photos are on flickr or instagram ; I'm usually in San Francisco.

Every photograph is published with attribution and a link to the original source. The photographs are presented on the blog, alongside the many articles linked above, as a combination of criticism, commentary and research about photography and communication with images. You can email me - wbremser at Google's email service. Please use the ask form for questions and requests.

a photography blog by Wayne Bremser

Nick DeWolf: endofroll

Nick DeWolf was an amateur photographer that shot between the 1950s and his death in 2006. One of the great individual archive projects online, it currently contains over 68,000 photos.

The archive would not exist online if DeWolf’s voracious shooting wasn’t matched by his archivist, Steve Lundeen. The scanning of 68,000 photographs on different negative and positive mediums, the constant uploading, the tagging, the sorting; it’s staggering. And then there’s determining and describing what’s in the photos. It’s easier to shoot this many photos than it is to keep them organized.

How to do an edit? There are trips to many places at particular times that are interesting. Bangkok, 1972. Martha’s Vineyard, 1961. The Ramblin’ Raft Race, Atlanta, 1977. A jazz club in 1973, Miles Davis’ giant sunglasses reflecting red stage lights onto Kodachrome.

Wandering the archive on Flickr I noticed the tag “endofroll.” Lundeen is also scanning the misfires. There are dozens of photos taken at the end of the roll, as the film runs out. Looking through the rolls in sequence, sometimes you feel the tension from the frames leading up to the end of the roll. DeWolf is plugging away at a scene, unaware how close he’s getting.

Occasionally the half frame improves an uninteresting shot, isolates a gesture or aspect of a landscape. Like a dip into any archive of this scope, my edit accurately represents DeWolf’s photography, yet it doesn’t. It’s merely an entry point to cascade through his life and times on film.

This article originally appeared in LPV Magazine 7

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  • notes
  • Nick Dewolf
published 13 November 2013